Six Tips to Help You Remember Your Lines

6 Tips to Help You Memorize Your Lines | Terry Fox Theatre BlogForgetting your lines during an audition or a theatre performance is a sure step toward extended bouts of self-recrimination. It's a horrible feeling, and one that brings with it enough stress that it can compound on itself, causing even the words you were sure you would remember to melt from your mind as you slowly spiral into nose dive that ends with your performance crashing and burning -- sometimes quite impressively. Thankfully, there are techniques that you can apply to help you ingrain those elusive words into your very being.


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The Power of a Simple Highlighter

If your lines stand out from the page, it is easier for your eye to catch them and helps to cut away errant words and sections that could serve to distract you later. After all, how can you memorize something if you spend more time hunting for it than reading it? If you are a visual learner, highlighting your lines may also assist in any amount of photographic memory you might possess. To amplify your visual learning, you might also try highlighting your cues, keeping the page you are reading from covered with another piece of paper until you get to the cue and then trying to remember what comes next. A logical extension of this method is to employ the use of flash cards, with the cue on one side and the line written on the other.

Understand the Material

Before even beginning to focus on your lines, read the script through -- over and over again if need be -- until you fully understand the plot of the play, and your character's part in it. As your understanding deepens, the lines your character speaks will make more sense, and the flow of conversation will become a natural thing, not a point of stress.

Movement Embeds

It's a fun little oxymoron to be sure, but the point is that, while practising, you should move as your character will be moving on the stage. Physical memory is a powerful thing, and science has shown that when you combine movement with speech, you are that much more likely to remember what you need to say next -- as you commit to your next movement. So move... dance, gesture, walk, turn your head and cough -- turn your lines into your very own dance with pacing and rhythm.

Learn By Rote -- or Writ...

A tried and true method of memorization is to handwrite what you want to memorize. Not type -- handwrite. Handwriting is a very strong way to reinforce both words and concepts. You didn't really think that writing lines on the board in school was just a form of acceptable torture, did you? Believe it or not, they were still trying to teach you something -- whether you wanted to learn it or not. If you want to take this method further, try writing out your lines with your non-writing hand.

Audible Learning

Making a recording of your lines, especially when read with the other performers you are working with, can allow you to bring the play with you. You can listen to it while you drive, while you are walking, washing the dishes, or even sleeping. The point is, it can always be with you, even if it is only in the background, and it can be practised against as often as you like. It can also help you to identify the rhythms of the actors giving you your cues, and this can be invaluable during the flow of a theatre performance.

Express Big

As you practise, read your lines in such a way as to burn their words and meaning into your brain. Exaggerate everything. Some people even yell everything, though that might make for some annoyed neighbours. Anything for your craft, though, right?

Any one of these methods, or a combination thereof, should go a long way toward helping you to remember your lines when it counts -- namely in an audition or during a theatre performance. However, as we have previously mentioned in our posts on dealing with stage fright, and improving stage presence, the most important thing you can do other than being prepared is to relax. Breathe. It will help you to maintain focus and not lose your head once the spotlight hits it.

How do you memorize your lines?

20 comments (Add your own)

1. Kavi wrote:
These are great methods thanks. One technique I find very helpful is to read and memorize my first line, then my first and second then try my first second and third line and so on. It can be frustrating at first trying to memorize it but it seems the farther in you go the easier it becomes.

Wed, March 9, 2011 @ 8:21 AM

2. Bridget wrote:
I learn my lines by repeating them over and over again out loud, while I'm walking around and constantly moving. Sitting still doesn't help at all :)

Fri, October 14, 2011 @ 10:51 AM

3. Tabitha wrote:
To memorize my lines I usually say them over and over in different ways, like varying in expression and emotion.

Sun, October 16, 2011 @ 12:38 PM

4. Lindsay Wigglesworth wrote:
Do what Kavi does, but don't always start with the first line. Actors always rehearse the beginning too much. I memorize the last line, second last then last. Then third last, second last then last.

Fri, October 21, 2011 @ 5:51 PM

5. Chantal wrote:
I pace back and forth across my living room with my script, and say the lines out loud to myself over and over, then put my script behind my back, and say the part i just learned, then once i have it down, I add a bit more, and keep doing that until it's all memorized! I usually take breaks about every 20 minutes, then go back, and see if I can still remember everything I memorized!

Sat, October 22, 2011 @ 1:04 PM

6. Ashley wrote:
One thing I do to memorize lines is have a friend hold my script and read all the lines that aren't mine, and once my line comes up, I'll have them say the first word, and I force my brain to remember what I had read through previously. It gets frustrating when you mess up the same lines over and over, but eventually you get it, and it really helps.

Thu, November 10, 2011 @ 5:38 AM

7. Scott wrote:
As far as learning cue lines goes. I don't so much as learn my cue lines from heart. I tend to pick one maybe two of the most distinguishable words in the line before and use that. Sometimes however the line right before you isn't a big line or anything that stands out. When thats the case I still tend to do the same thing only with a line or two before my cue and just make a mental note of waiting however many more lines. That way you're searching for a very distinguishable word. Only problem with this is if you're relying on it too much your fellow actors might slip or even improv a different word which would throw you off if you follow it too strictly.

Sun, November 13, 2011 @ 11:38 AM

8. Abigail wrote:
Those are all great ways, but another I find useful is to make notecards. On one side have your cue and then on the other side your line. It helps a lot and once you know them they are an easy way to review and keep them in your mind.

Mon, November 14, 2011 @ 5:54 AM

9. Hannah Schoenberger wrote:
Perfect! It's what I would would tell actors I was teaching or directing. Thank You.

Fri, November 18, 2011 @ 8:55 PM

10. Hannah Schoenberger wrote:
I don't like the photo much though.

Fri, November 18, 2011 @ 8:57 PM

11. Brett wrote:
Once when I was memorizing and I thought i was roughly off book, my girlfriend picked up the spray bottle we use to keep the cats from scratching the furniture and aimed it at me and read me my cues. Every time I messed up a line she sprayed me in the face with water. Honestly, I got off book so fast from that point, word perfect. And it was a lot of fun :-) (yes, I got her back during her next show.)

Sun, November 20, 2011 @ 10:04 PM

12. Ms.Shakspeare wrote:
I find singing the lines an easy way to remember them..plus it's fun!!

Mon, December 12, 2011 @ 12:47 AM

13. Hannah wrote:
I always memorize my lines in many different ways but one way I always do is read them right before I go bed, that way they are in my head when I sleep.

Wed, December 14, 2011 @ 4:48 PM

14. Karen wrote:
These are very great methods, thanks! Memorizing the cue lines and my lines and writing them as always helped me but it never came to mind to move around while i was memorizing on my own!

Sat, January 28, 2012 @ 5:33 PM

15. Stevo wrote:
Another great method to line learning is to do a secondary activity while speaking the lines aloud, for example catching a ball or folding your clothes. This gets the words out of your head and into the space, and within time they'll be in your subconscious, you won't even have to think of what that next word might be because they'll be stuck in there for good!

Tue, January 31, 2012 @ 6:20 AM

16. Ingrid wrote:
I am a dancer under education (contemporary/new dance choreography), so I am not so familiar with using text frequently, but I've been touching it and done a couple of short pieces on it. What I do is I move with the talking. No moving, no talking. I read the whole thing over and over, and I repeat out loud from mind from the beginning. When I lose my next line, I go back to the beginning until I get it. I usually need a lot of time to learn rexts, as I am more familiar with movement.

Sun, February 5, 2012 @ 2:39 AM

17. Julie Jordan Scott wrote:
Wow. Such great ideas for memorizing lines! I like to listen to my lines over and over, so I record myself speaking (or singing) an entire scene and then play it over and over, often while I'm doing other stuff. I find the words imbed themselves in my subconscious this way....

Mon, February 27, 2012 @ 7:32 AM

18. David wrote:
What ever works for you works for you. Keep in mind that line memorization is steep one, if you can't remember your lines you can not build a character or be truthful on stage. I can memorize my lines by reading the script three or four times and then just jumping in to rehearsal with someone else. Don't spend so much time on lines that you forget to do the rest of the work.

Wed, March 7, 2012 @ 5:16 AM

19. Tash wrote:
I agree with all of these, if you are doing say a duologue then it is good to have someone to read your lines through with you (even if they are not your partner)

Mon, April 30, 2012 @ 1:32 AM

20. bayu wrote:
What ever works for you works for you. Keep in mind that line memorization is steep one, if you can't remember your lines you can not build a character or be truthful on stage. I can memorize my lines by reading the script three or four times and then just jumping in to rehearsal with someone else. Don't spend so much time on lines that you forget to do the rest of the work.

Wed, mel 7, 2012 @ 5:16 AM

Wed, May 2, 2012 @ 2:50 AM

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